Single portrait of Jan van Ede

General information
Original location Utrecht
Current location Antwerp, Koninklijk Museum voor Schone Kunsten Antwerpen, inv. no. 848
Provenance Baron d'Aumale van Hardenbroeck, bought by the museum in 1906
Artist Cornelis Engebrechtsz.
Date 16th century (1525?)
Material Wood
Dimensions 31 x 21 cm
Visual elements
Short description Portrait of a man wearing a necklace with a Greek cross, half-length, facing the viewer. On the frame are coats of arms depicted, and it is accompanied by a panel containing a text.
Depicted pilgrim
Personal information
Name Jan van Ede
Social status / profession Sheriff (schout) of Utrecht; member of the city council (1528); Knight of the Holy Sepulchre
Coat of arms On bottom of frame left: early renaissance shield - in gold a black demi-lion
On bottom of frame right: early renaissance shield - in gold three red bars
Text Above his head: Heer Ian van Eden ritter // Anno 1525
On text panel under frame: Ick, Johan van Ede // Sach die stede // Daer Godt wou sterven // Veel tegenkome dede // Om ons vrede ewelick te werven // In't jaar ons Heeren MDXXV
Other known portraits Nine members of the Utrecht confraternity of Jerusalem pilgrims, second from the left. This single portrait might well have served as the example for the portrait in the series of the Jerusalem pilgrims. His head is turned in the same direction, and the latter panel was painted after Jan van Eden had died (Van Tongerloo)
Pilgrimages
Year of pilgrimage to Jerusalem 1525
Attributes Jerusalem pilgrimage Necklace with golden Greek cross
Death
Year of death 1529/30
Additional information related to this person
Personal remarks Jan van Ede is mentioned as fellow pilgrim in the travel report of the Delft barber Willem Arentsz. of 1525
Additional information
General remarks
Literature
  • Friedländer, Max J., Early Netherlandish painting, 14 vols. (Leiden/Brussels 1967-1976), vol. 10, p. 87
  • Tongerloo, Louise van, 'Grablegung und Totengedenken bei Pilgerbruderschaften in Utrecht, mit einer Neuinterpretation von Scorels und Mors Bildnisreihen von Jerusalemfahrern,' in: Truus van Bueren en Andrea van Leerdam (eds.), Care for the here and the hereafter: memoria, art and ritual in the Middle Ages (Turnhout 2005), pp. 221-247, pp. 232-233
  • Vandamme, Erik, Yolande Morel-Deckers, et al., Catalogus schilderkunst Oude Meesters (Antwerp 1988), p. 129
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