Pair of portraits of of Jacques Godin and Catharine le Comte
General information | |||||||||||||||||||||
Original location | Valenciennes? (where the sitter probably lived) | ||||||||||||||||||||
Current location | Maarsbergen, Collection Godin de Beaufort | ||||||||||||||||||||
Provenance | Continuously in the collection of the family Godin. | ||||||||||||||||||||
Artist | Anonymous | ||||||||||||||||||||
Date | Possibly a copy of a portrait made after 1503 (year of pilgrimage), but probably much younger (see remarks) | ||||||||||||||||||||
Material | Canvas | ||||||||||||||||||||
Dimensions | 56 x 42 cm | ||||||||||||||||||||
Visual elements | |||||||||||||||||||||
Short description | Pair of portraits of a man and a woman, displayed half-length, facing each other. The man is depicted on the left panel and carries the signs of the Jerusalem pilgrimage. | ||||||||||||||||||||
Depicted pilgrim (left panel) | |||||||||||||||||||||
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Additional information | |||||||||||||||||||||
General remarks | These two portraits are part of an Ahnengalerie, a series of portraits of a family's ancestors, made at a far later date (possibly seventeenth or eighteenth century). It might have been a copy after an older original from Jacques's own time, but it is very likely that this portrait was invented. This is corroborated by the white cloak with a red Jerusalem cross worn by the sitter, which resembles the cloak worn by the members of the modern Order of the Holy Sepulchre (revived in 1847), but is not known from any other sixteenth-century depiction of a knight of the Holy Sepulchre. The same goes for the pair of portraits of Jean Godin (Jacques's father) and Jeanne de Salembiens. | ||||||||||||||||||||
Literature |
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Internet links | Descriptions of the RKD: Jacques IV Godin Catharine le Comte |