General information |
Original location |
Utrecht, St Servatius Cistercian nuns convent (mentioned in text left of main text field) |
Current location |
Renswoude, Renswoude castle |
Provenance |
Continuously in the possession of the Taets van Amerongen family |
Artist |
Anonymous |
Date |
After 1496 / before 1552 (see remarks) |
Material |
Originally panel, transferred to canvas |
Dimensions |
148,5 x 85 cm |
Visual elements |
Short description |
The Resurrection of Christ, under which kneeling members of the family Taets van Amerongen-Van Driebergen, nine male members on the viewer's left, ten female members on the right. |
Coat of arms |
In the center between the praying persons, clockwise, starting top right: lozenge shield - quarterly I and IV: in red three silver zules (2-1); II and III: in black a silver lion; lozenge shield - barry of eight of [colour] and [colour], the dark bars charged with ten saltires (4-3-2-1); semicircular shield - in silver a contourny red pair of wings; semicircular shield - in silver a red fess |
Text |
Under painting: Anno M.cccc.lxxiii, iiio calendas martii, obiit senior Ernestus Taets ab Ameronghen, Christi Miles, hic cum coniunge sua Johanna de Gaesbeeck a Drieberghen, ac suis liberis consepulti iacent. Requiescant in pace. |
Depicted pilgrim (ninth from the left) |
Personal information |
Name |
Ernst Taets van Amerongen |
Social status / profession |
Knight |
Pilgrimages |
Attributes Jerusalem pilgrimage |
Palm |
Death |
Date of death |
27 February 1473 |
Location of grave |
Utrecht, St Servatius Cistercian nuns convent (mentioned in text) |
Additional information related to this person |
Personal remarks |
His wife Johanna van Gaasbeek van Driebergen is depicted in front of him. |
|
Additional information |
Left of the original text field and in between the depicted persons, text has been added. It can be inferred from this text that Johanna Taets van Amerongen, granddaughter of Ernst, renewed the painting. She died in 1552, so the renewal must have been done before that year. The original date for the painting, however, must have been after 1496, since this date is mentioned in the original text as the year of death of Ernst Taets van Amerongen. |
Literature |
- Bueren, Truus van, Leven na de dood: gedenken in de late Middeleeuwen (Turnhout 1999), p. 120
- Wolleswinkel, E.J., 'Het ontstaan van het gerecht Renswoude en Emmikhuizen,' Jaarboek Oud-Utrecht (1976), pp. 182-203
|
MeMO ID |
612 |
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